She called herself London, on that day she fell from the sky, child of apple blossoms, dancing wildly into your mind. London kisses you like a sweet lover as though she really cares, lets you taste the passionate orchard in her body’s secret lair. We will show you the Top 5 UK Monuments.
The flawless city of London has passed by through the year, holding some rough times and after so many great years we have some great monuments that bring out the most of our culture.
Big Ben is the nickname for the great bell of the clock at the north end of the Palace of Westminster in London, and often extended to refer to the clock and the clock tower. The Elizabeth Tower was completed in 1859 and the Great Clock started on 31 May, with the Great Bell’s strikes heard for the first time on 11 July and the quarter bells first chimed on 7 September. The tower has become one of the most prominent symbols of both London and England and is often in the establishing shot of films set in the city.
The clock has become a symbol of the United Kingdom and London, particularly in the visual media. When a television or film-maker wishes to indicate a generic location in Britain, a popular way to do so is to show an image of the tower, often with a red double-decker bus or black cab in the foreground.
The sound of the clock chiming has also been used this way in audio media, but as the Westminster Quarters are heard from other clocks and other devices, the unique nature of this sound has been considerably diluted. Big Ben is a focus of New Year celebrations in the United Kingdom, with radio and TV stations tuning to its chimes to welcome the start of the New Year. As well, to welcome in 2012, the clock tower itself was lit with fireworks that exploded at every toll of Big Ben.
Architecture & Design
The clock’s movement is famous for its reliability. The designers were the lawyer and amateur horologist Edmund Beckett Denison, and George Airy, the Astronomer Royal. Construction was entrusted to clockmaker Edward John Dent; after his death in 1853 his stepson Frederick Dent completed the work, in 1854. As the tower was not complete until 1859, Denison had time to experiment: Instead of using thedeadbeat escapement and remontoire as originally designed, Denison invented the double three-legged gravity escapement. This escapement provides the best separation between pendulum and clock mechanism. The pendulum is installed within an enclosed windproof box sunk beneath the clockroom. It is 13 feet (4.0 m) long, weighs 660 pounds (300 kg) and beats every 2 seconds. The clockwork mechanism in a room below weighs 5 tons. On top of the pendulum is a small stack of old penny coins; these are to adjust the time of the clock. Adding a coin has the effect of minutely lifting the position of the pendulum’s centre of mass, reducing the effective length of the pendulum rod and hence increasing the rate at which the pendulum swings. Adding or removing a penny will change the clock’s speed by 0.4 seconds per day.
Stonehenge is a prehistoric monument in Wiltshire and one of the most famous sites in the world. Stonehenge is the remains of a ring of standing stones set within earthworks. It is in the middle of the most dense complex of Neolithic and Bronze Age monuments in England, including several hundred burial mounds.
Archaeologists believe it was built anywhere from 3000 BC to 2000 BC. Radiocarbon dating in 2008 suggested that the first stones were raised between 2400 and 2200 BC, whilst another theory suggests that bluestones may have been raised at the site as early as 3000 BC.
The site and its surroundings were added to the UNESCO’s list of World Heritage Sites in 1986 in a co-listing with Avebury Henge. It is a national legally protected Scheduled Ancient Monument. Stonehenge is owned by the Crown and managed by English Heritage, while the surrounding land is owned by the National Trust.
Architecture & Design
It was produced by a culture that left no written records. Many aspects of Stonehenge remain subject to debate. These multiplicities of theories, some of them very colorful, are often called the “mystery of Stonehenge”.A number of myths surround the stones. Over the years, various authors have suggested that supernatural or anachronistic methods were used, usually asserting that the stones were impossible to move otherwise. However, conventional techniques, using Neolithic technology as basic as shear legs, have been demonstrably effective at moving and placing stones of a similar size. Proposed functions for the site include usage as an astronomical observatory or as a religious site.
There is little or no direct evidence for the construction techniques used by the Stonehenge builders. More recently two major new theories have been proposed. The first argue that this accounts for the high number of burials in the area and for the evidence of trauma deformity in some of the graves. However they do concede that the site was probably multifunctional and used for ancestor worship as well. Isotope analysis indicates that some of the buried individuals were from other regions. A teenage boy buried approximately 1550 BC was raised near the Mediterranean Sea; a metal worker from 2300 BC dubbed the “Amesbury Archer” grew up near the alpine foothills of Germany; and the “Boscombe Bowmen” probably arrived from Wales or Brittany, France. On the other hand, the second suggested that Stonehenge was part of a ritual landscape and was joined to Durrington Walls by their corresponding avenues and the River Avon. He suggests that the area around Durrington Walls Henge was a place of the living, whilst Stonehenge was a domain of the dead. A journey along the Avon to reach Stonehenge was part of a ritual passage from life to death, to celebrate past ancestors and the recently deceased. It should be pointed out that both explanations were mooted in the 12th century by Geoffrey of Monmouth (below), who extolled the curative properties of the stones and was also the first to advance the idea that Stonehenge was constructed as a funerary monument. Another theory, brought forth in 2012, suggests that the monument was intended to unify the different peoples of the British island. This theory suggests that the massive amount of labour involved in the construction of Stonehenge necessitated inter-regional cooperation, especially as many of the stones were moved over very long distances, for example from quarries in Wales.
Tower of London
Her Majesty’s Royal Palace and Fortress, more commonly known as the Tower of London, is a historic castle on the north bank of the River Thames in central London, England. It lies within the London Borough of Tower Hamlets, separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded towards the end of 1066 as part of the Norman Conquest of England. As a whole, the Tower is a complex of several buildings set within two concentric rings of defensive walls and amoat. There were several phases of expansion, mainly under Kings Richard the Lionheart, Henry III, and Edward I in the 12th and 13th centuries. The general layout established by the late 13th century remains despite later activity on the site.
The Tower of London has played a prominent role in English history. It has served variously as an armoury, a treasury, a menagerie, the home of the Royal Mint, a public records office, and the home of the Crown Jewels of the United Kingdom. From the early 14th century until the reign of Charles II, a procession would be led from the Tower to Westminster Abbey on the coronation of a monarch. In the absence of the monarch, the Constable of the Tower is in charge of the castle. This was a powerful and trusted position in the medieval period. In the late 15th century the castle was the prison of the Princes in the Tower. Under the Tudors, the Tower became used less as a royal residence, and despite attempts to refortify and repair the castle its defences lagged behind developments to deal with artillery.
Architecture & Design
The White Tower is a keep (also known as a donjon), which was often the strongest structure in a medieval castle, and contained lodgings suitable for the lord – in this case the king or his representative. According to military historian Allen Brown, “The great tower [White Tower] was also, by virtue of its strength, majesty and lordly accommodation, the donjon par excellence“. As one of the largest keeps in the Christian world, the White Tower has been described as “the most complete eleventh-century palace in Europe”. The main building material is Kentish rag-stone, although some local mudstone was also used. Caen stone was imported from northern France to provide details in the Tower’s facing, although little of the original material survives as it was replaced with Portland stone in the 17th and 18th centuries. As most of the Tower’s windows were enlarged in the 18th century, only two original – albeit restored – examples remain, in the south wall at the gallery level. The tower was terraced into the side of a mound, so the northern side of the basement is partially below ground level. As was typical of most keeps, the bottom floor was an undercroft used for storage. One of the rooms contained a well. Although the layout has remained the same since the tower’s construction, the interior of the basement dates mostly from the 18th century when the floor was lowered and the pre-existing timber vaults were replaced with brick counterparts. The basement is lit through small slits. The entrance floor was probably intended for the use of the Constable of the Tower, Lieutenant of the Tower of London and other important officials. The south entrance was blocked during the 17th century, and not reopened until 1973. Those heading to the upper floor had to pass through a smaller chamber to the east, also connected to the entrance floor. The crypt of St John’s Chapel occupied the south-east corner and was accessible only from the eastern chamber. The upper floor contained a grand hall in the west and residential chamber in the east – both originally open to the roof and surrounded by a gallery built into the wall – and St John’s Chapel in the south-east. The top floor was added in the 15th century, along with the present roof. St John’s Chapel was not part of the White Tower’s original design, as the apsidal projection was built after the basement walls. Due to changes in function and design since the tower’s construction, except for the chapel little is left of the original interior. The chapel’s current bare and unadorned appearance is reminiscent of how it would have been in the Norman period. In the 13th century, during Henry III’s reign, the chapel was decorated with such ornamentation as a gold-painted cross, and stained glass windows that depicted the Virgin Mary and Holy Trinity.
Tower of London
In the Middle Ages, Buckingham Palace’s site formed part of the Manor of Ebury (also called Eia). The marshy ground was watered by the river Tyburn, which still flows below the courtyard and south wing of the palace.Where the river was fordable (at Cow Ford), the village of Eye Cross grew. Ownership of the site changed hands many times; owners included Edward the Confessor and his queen consort Edith of Wessex in late Saxon times, and, after theNorman Conquest, William the Conqueror. William gave the site to Geoffrey de Mandeville, who bequeathed it to the monks of Westminster Abbey.
In 1531, Henry VIII acquired the Hospital of St James (later St. James’s Palace) from Eton College, and in 1536 he took the Manor of Ebury from Westminster Abbey. These transfers brought the site of Buckingham Palace back into royal hands for the first time since William the Conqueror had given it away almost 500 years earlier.
Various owners leased it from royal landlords and the freehold was the subject of frenzied speculation during the 17th century. By then, the old village of Eye Cross had long since fallen into decay, and the area was mostly wasteland. Needing money, James I sold off part of the Crown freehold but retained part of the site on which he established a 4-acre (16,000 m2) mulberry garden for the production of silk. Clement Walker in Anarchia Anglicana (1649) refers to “new-erected sodoms and spintries at the Mulberry Garden at S. James’s”; this suggests it may have been a place of debauchery. Eventually, in the late 17th century, the freehold was inherited from the property tycoon Sir Hugh Audley by the great heiress Mary Davies.
Architecture & Design
The Palace measures 108 metres by 120 metres, is 24 metres high and contains over 77,000 m2 (830,000 sq ft) of floorspace. The principal rooms of the palace are contained on the piano nobile behind the west-facing garden façade at the rear of the palace. The centre of this ornate suite of state rooms is the Music Room, its large bow the dominant feature of the façade. Flanking the Music Room are the Blue and the White Drawing rooms. At the centre of the suite, serving as a corridor to link the state rooms, is the Picture Gallery, which is top-lit and 55 yards (50 m) long. The Gallery is hung with numerous works including some by Rembrandt, van Dyck, Rubens and Vermeer; other rooms leading from the Picture Gallery are the Throne Room and the Green Drawing Room. The Green Drawing room serves as a huge anteroom to the Throne Room, and is part of the ceremonial route to the throne from the Guard Room at the top of the Grand stairca
The Guard Room contains white marble statues of Queen Victoria and Prince Albert, in Roman costume, set in a tribune lined with tapestries. These very formal rooms are used only for ceremonial and official entertaining but are open to the public every summer. Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result, many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton banqueting and music rooms, but has a chimney piece designed by W.M. Feetham. The Yellow Drawing Room has wallpaper which had been supplied in 1817 for the Brighton Saloon, and the chimney piece in this room is a European vision of what the Chinese equivalent would look like, complete with nodding mandarins in niches and fearsome winged dragons, designed by Robert Jones.
At the centre of this wing is the famous balcony, with the Centre Room behind its glass doors. This is a Chinese-style saloon enhanced by Queen Mary, who, working with the designer Sir Charles Allom, created a more “binding” Chinese theme in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is the great gallery, modestly known as the Principal Corridor, which runs the length of the eastern side of the quadrangle. It has mirrored doors, and mirrored cross walls reflectingporcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre. The original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long.King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. When paying a state visit to Britain, foreign heads of state are usually entertained by the Queen at Buckingham Palace. They are allocated a large suite of rooms known as the Belgian suite, situated at the foot of the Minister’s Staircase, on the ground floor of the North-facing garden wing. The rooms of the suite are linked by narrow corridors, one given extra height and perspective by saucer domes designed by Nash in the style of Soane. A second corridor in the suite has Gothic influenced cross over vaulting. The Belgian rooms themselves were decorated in their present style and named after Prince Albert’s uncle Léopold I, first King of the Belgians. In 1936, the suite briefly became the private apartments of the palace when they were occupied by Edward VIII.
The London Eye is a giant Ferris wheel on the South Bank of the River Thames in London, England. The entire structure is 135 metres (443 ft) tall and the wheel has a diameter of 120 metres (394 ft).
It is the tallest Ferris wheel in Europe, and the most popular paid tourist attraction in the United Kingdom, visited by over 3.5 million people annually. When erected in 1999 it was the tallest Ferris wheel in the world, until surpassed first by the 160 m (520 ft) Star of Nanchang in 2006 and then the 165 m (541 ft) Singapore Flyer in 2008. Supported by an A-frame on one side only, unlike the taller Nanchang and Singapore wheels, the Eye is described by its operators as “the world’s tallestcantilevered observation wheel”. It offered the highest public viewing point in the city until it was superseded by the 245-metre (804 ft) observation deck on the 72nd floor of The Shard, which opened to the public on 1 February 2013.
The London Eye, or Millennium Wheel, was officially called the British Airways London Eye and then the Merlin Entertainments London Eye. Since 20 January 2011, its official name is the EDF Energy London Eye following a three-year sponsorship deal.
The London Eye adjoins the western end of Jubilee Gardens (previously the site of the former Dome of Discovery), on the South Bank of the River Thames between Westminster Bridge and Hungerford Bridge, in the London Borough of Lambeth.
Architecture & Design
The London Eye was designed by architects Frank Anatole, Nic Bailey, Steve Chilton, Malcolm Cook, Mark Sparrowhawk, and the husband-and-wife team of Julia Barfield and David Marks.Nathaniel Lichfield and Partners assisted The Tussauds Group in obtaining planning and listed building consent to alter the wall on the South Bank of the Thames. They also examined and reported on the implications of a Section 106 agreement attached to the original contract. Later, they also prepared planning and listed building consent applications for the permanent retention of the attraction, which involved the co-ordination of an Environmental Statement and the production of a planning supporting statement detailing the reasons for its retention.The rim of the Eye is supported by tensioned steel cables and resembles a huge spoked bicycle wheel. The lighting was redone with LED lighting from Color Kinetics in December 2006 to allow digital control of the lights as opposed to the manual replacement of gels over fluorescent tubes.The wheel was constructed in sections which were floated up the Thames on barges and assembled lying flat on piled platforms in the river. Once the wheel was complete it was lifted into an upright position by astrand jack system made by Enerpac. It was first raised at 2 degrees per hour until it reached 65 degrees, then left in that position for a week while engineers prepared for the second phase of the lift. The project was European with major components coming from six countries: the steel was supplied from the UK and fabricated in The Netherlands by the Dutch company Hollandia, the cables came from Italy, the bearings came from Germany (FAG/Schaeffler Group), the spindle and hub were cast in the Czech Republic, the capsules were made by Poma in France (and the glass for these came from Italy), and the electrical components from the UK.The wheel’s 32 sealed and air-conditioned ovoidal passenger capsules, designed and supplied by Poma, are attached to the external circumference of the wheel and rotated by electric motors. Each of the 10-tonne (11-short-ton) capsules represents one of the London Boroughs, and holds up to 25 people,who are free to walk around inside the capsule, though seating is provided. The wheel rotates at 26 cm (10 in) per second (about 0.9 km/h or 0.6 mph) so that one revolution takes about 30 minutes. It does not usually stop to take on passengers; the rotation rate is slow enough to allow passengers to walk on and off the moving capsules at ground level. It is, however, stopped to allow disabled or elderly passengers time to embark and disembark safely.
London Eye Cabin